Tishk Barzanji explores human tragedy in psychedelic architectural illustrations

Tishk Barzanji illustrations

Kurdish-British artist Tishk Barzanji creates surreal, architecture-infused illustrations that depict impossible structures and dark domestic scenes, to engage with difficult subject matters.

Barzanji began publishing the brightly hued illustrations on his Instagram account in 2016, and has posted more than 100 different designs in this style to date.

Tishk Barzanji's surreal illustrations
The Last Banquet is amongst Barzanji’s most popular images 

One of his best-known pieces, The Last Banquet, depicts a silhouetted man, who gestures across a table towards a woman with bright red hair, wearing a dress in the same colour.

Long, blue-green shadows stretch across the orange-pink floor and walls, evoking a sunset out of frame.

Tishk Barzanji
Staircases and silhouetted figures feature heavily in Barzanji’s work 

Another illustration features several tall, Escher-esque staircases in saturated shades of blue and pink, which rise from a pool of red paint. At the top of these stairs, populated by houseplants and silhouetted figures, are doorways that open onto a star-studded sky.

“Surrealism helps to connect my ideas and to show a glimpse of my imagination,” Barzanji told Dezeen.

Tishk Barzanji
Milestones is an example of his use of contrasting colors and shadows to create otherworldly atmospheres 

The interplay of these signature elements allows the artist to touch on his chosen themes of escapism, utopia and human tragedy.

“I reference life,” he explained. “My aim is to focus on small details and issues that are usually overlooked.”

Tishk Barzanji
This piece called Legacy was commissioned by organic toothpaste brand Lebon 

Barzanji uses a diary to record his observations of the public’s interactions with the built environment – citing train stations, theatres and parks as some of the places he visits to make sketches that form the starting point of his work.

“I’m fascinated by how people live, how they communicate, and the way architecture leads the way we use space,” he says.

Tishk Barzanji
The illustrator has also envisioned a world for a Dubai-based luxury jewelry brand 

Barzanji experiments with a range of media but most of his catalog of work merges manual methods with digital production.

“I sketch the work, then build in the background with watercolors. This is then scanned and edited digitally,” he tells of his process. Each piece typically takes two weeks from start to finish.

Tishk Barzanji
Transverse depicts a fantastical multi-level building complete with raised pods 

Barzanji began creating his highly saturated images as a means of therapy, after moving to London as a refugee in 1997 and experiencing a long period of illness during the final year of his physics degree at Loughborough University.

“I’d seen a lot of suffering and needed to let that out. Art was that process,” explains Barzanji.

Tishk Barzanji
Monopoly depicts a twisted staircase within a caged globe above a dining table 

The artist’s decision to use architectural features such as stairs, ladders and windows can be traced back to his illness.

Barzanji designed a poster for Film4’s outdoor cinema screenings in summer 2018 

As part of his rehabilitation, Barzanji began sharing his art on social media. He has now accrued more than 78,000 followers on Instagram.

He has also worked on commercial and editorial illustration commissions. Last summer, he created a poster in collaboration with Supple Studio for Film4’s outdoor screenings in the courtyard at Somerset House.

Tishk Barzanji
Lost & Found shows two figures in an otherworldly room with an overturned chair and broken bottles 

Barzanji is now represented by Jelly London and is looking to bring his fictional worlds to life with 3D technology. His prints are available to purchase via his website.

This post previously appeared in dezeen.

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